Lines as a mirror of the inner self and the turbulent world.
Quiet obsession. Sharp irony.
Écorché (Dad's Gone), 2025 (series)
A Kind of Pilgrimage, 2022
Truncated Tree (L), 2020 - ongoing (series)
Truncated Tree (XXL), 2024 - ongoing (series)
Farewell and Thank You (L), 2019-2022
Farewell and Thank You (S), 2019
The Jab, 2020-2024
Balance Akt (M), 2023 - ongoing (series)
Balance Akt (S), 2023 (series)
Ça va Citoyen? (M), 2024 - 2025
Ça Va Citoyen? (XS/S), 2023 - 2025 (series)
Ça Va Citoyen? (L), 2024 - ongoing (triptych)
Bonjour Corona, 2020 (series)
Dia De Los Muertos, 2019 (series)
Eve & Adam, 2020 (triptych)
Birds, 2024 - 2025
Deus Familia Brasil (Trophy), 2019 - 2020
Fear Is The Key, 2022 - 2025
Écorché (Been), 2025
Girlpower, 2024
Hellhole, 2020
Hop Frog, 2020 - 2024
Joli Cœur, 2021
La Rose, 2020
Making Schemes, 2020 - 2025
Puppet & Master, 2025
Proud Boyz, 2021 - 2025
Proud Boyz, 2022
Messias, 2020
Sad Stormy, 2025 (series)
Saving The People (in 2060), 2025 (series)
The Prepper, 2025 (series)
The Shift, 2021
Trophy, 2019 - 2020 (series)
Thomas Huyghe draws from a deep inner urge
His work is both a mirror of his emotional life and a reflection of the turbulent times we live in. Many of his drawings belong to thematic series (like Balance Act, Truncated Trees, Ça Va Citoyen?, Bonjour Corona) that explore different facets of this tension.
Driven by urgent feelings, his line work adapts: sometimes slow and meditative, sometimes quick and nervy, but always in service of expression. Using only a 0.7 mm B mechanical pencil, he intentionally limits his tools to build a layered, personal world a deliberate artistic choice in a time of endless possibilities.
At his studio, he also creates public sculptures, where collaboration and site-specific dialogue replace personal urgency.